Today, we think of Ludwig van Beethoven’s nine symphonies as masterpieces.  But this mentality was not as widespread when these works were first performed nearly 200 years ago.  Indeed, the critics of the time generally panned Beethoven’s symphonies, sometimes rather harshly.

Beethoven composed his First Symphony in 1800 and premiered it the same year on April 2nd.  Criticism of this symphony was quite unfavorable on its first performances.  Leading critics of the time, including Joseph Preindl, the Abbé Stadler, and Dionys Weber, were quite upset by the fact that the introduction to the first movement began with what was then considered a “discord.”   Another critic described the work as “a caricature of Haydn pushed to absurdity.”  Some years later, however, the reviewers had reversed their position on this work and even Carl Maria von Weber, one of the severest critics of Beethoven’s symphonies, spoke highly of it.

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10 responses to “The Critics vs. Beethoven”

  1. kurtnemes Avatar

    Great post–very educational, though very well written and accesible. I had a funny synchronicity. Right before I read your post, I used this creativity program called “Whack Pack.” It gave me this random idea: http://j.mp/cwp458

    The point was how important it is to hold to your new ideas even if other people criticize them. People don’t like change and the new often upsets their world order. To find two related topics on the web, was really satisfying. All the best.

    1. bnelsonmusic Avatar

      That is very interesting! Funny how that all works out sometimes.

      Thanks for reading and I’m glad you enjoyed my article!

  2. kurtnemes Avatar

    Reblogged this on Kurt Nemes' Classical Music Almanac and commented:
    The Critics vs. Beethoven. Reblog of a post by Composer Brandon Nelson.

  3. shellakers Avatar

    This is VERY interesting to me! Thanks for sharing!

    1. bnelsonmusic Avatar

      I’m glad you liked it! Thanks for reading!

  4. […] 编程有多种流派,我喜欢把它们归类成“莫扎特 vs 贝多芬”。当莫扎特开始写乐谱时,作品就已经完成了。他的手稿一气呵成,书法也很好。贝多芬不一样,他总是在怀疑和挣扎。他的作品一般是还没有想好就开始写,然后就往上面贴纸条修改。有一次贝多芬改了 9 遍才把手稿完成,后来有人把这手稿一层层的撕开,发现第一版和最后一版是一摸一样的。(注:我觉得这是指他的9 个交响曲)这种改来改去的做法是 Anglo-Saxon 名族的传统,它贯穿了英国式的教育。 […]

  5. […] 编程有多种流派,我喜欢把它们归类成“莫扎特 vs 贝多芬”。当莫扎特开始写乐谱时,作品就已经完成了。他的手稿一气呵成,书法也很好。贝多芬不一样,他总是在怀疑和挣扎。他的作品一般是还没有想好就开始写,然后就往上面贴纸条修改。有一次贝多芬改了9遍才把手稿完成,后来有人把这手稿一层层的撕开,发现第一版和最后一版是一摸一样的。(注:我觉得这是指他的9个交响曲)这种改来改去的做法是 Anglo-Saxon 名族的传统,它贯穿了英国式的教育。 […]

  6. 〔轉載〕一個對 Dijkstra 採訪的影片 | Heresy's Space Avatar

    […] 開發程式有多種流派,我喜歡把他們歸類成「莫札特 vs 貝多芬」。 當莫札特開始寫樂譜時, 作品就已經完成了。他的手稿一氣呵成,書法也很好。 貝多芬不一樣,他總是在懷疑和掙扎。他的作品一般是還沒有想好就開始寫,然後就往上面貼紙條修改。有一次貝多芬改了 9 遍才把手稿完成,後來有人把這手稿一層層地撕開,發現第一版和最後一版是一模一樣的。(註:我覺得這是指他的九個交響曲) 這種改來改去的做法是盎格魯‧撒克遜(Anglo-Saxon)民族的傳統,他貫穿了英國式的教育。 […]

  7. “Help! My music has been attacked on social media!” « Brandon Nelson Avatar

    […] more on critics and composers, read my compilation of the critical reception of Beethoven’s symphonies.  It might help put things into […]

  8. John Borstlap Avatar

    As a rule, critics are wrong about contemporary music, also when they praise it.

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